Preservation and Presentation of Installation Art

Lectures at Inside Installations seminars and workshop

- Case studies by Spanish participants
- Copyright and Installation art
- E-learning packages developed by Tate Digital Programmes
- Media Matters

Madrid

- Audio Documentation of Sounding Objects
- Documentary Film: Fact or Fiction?
- Documentation Analysis
- Measurement of Installation Art
- Presentation of the Case Study Fabrizio Plessi Liquid Time II
- Recording Movement – Between Material and Ephemeral
- Survival of the Fittest - Notes on the Documentation of Contemporary Art

- Artist's lecture, Suchan Kinoshita
- Authenticity, change and loss in the conservation of time-based media works of art
- Experience & Conceptualisation of Installation Art
- Forms of installation registration: video registration
- Locating the Intermittent Work of Art
- Panel Discussion 'Installation Art in the Museum Context'
- The DOCAM project: Issues and challenges

1. Introduction on artist participation
2. Suchan Kinoshita's 'Voorstelling'
3. After Words, by Brian Winkenweder
4. After The death of the author. On re-installing Anna Oppermann's processual and open ensembles
5. Methodology for qualitative research within the conservation of contemporary art
6. The conservation of a work that never stop starting
7. An artist as initiator and collaborator
8. The issue of authenticity in 'Grass Just Grass' by K. Bednarski
- Abstracts and biographies

Tate seminar

PreliminaryDocumentationAnalysis.ppt (ppt/419kb)

Documentation Analysis (1 December 2005)
creator(s) Craig Gordon (software developer)
contributor(s) MNCARS, Madrid
publisher MNCARS

This presentation gave a quick overview of the documentation generated by the case studies conducted by MNCARS. From the documentation, various conclusions are drawn and extrapolating this analysis, thoughts and objectives to be achieved in any system developed to aid documentation activities.

Click download for powerpoint presentation.

Attribution Non-commercial Share Alike