Lectures at Inside Installations seminars and workshop
- Case studies by Spanish participants
- Copyright and Installation art
- E-learning packages developed by Tate Digital Programmes
- Media Matters
Madrid
- Audio Documentation of Sounding Objects
- Documentary Film: Fact or Fiction?
- Documentation Analysis
- Measurement of Installation Art
- Presentation of the Case Study Fabrizio Plessi Liquid Time II
- Recording Movement – Between Material and Ephemeral
- Survival of the Fittest - Notes on the Documentation of Contemporary Art
- Artist's lecture, Suchan Kinoshita
- Authenticity, change and loss in the conservation of time-based media works of art
- Experience & Conceptualisation of Installation Art
- Forms of installation registration: video registration
- Locating the Intermittent Work of Art
- Panel Discussion 'Installation Art in the Museum Context'
- The DOCAM project: Issues and challenges
1. Introduction on artist participation
2. Suchan Kinoshita's 'Voorstelling'
3. After Words, by Brian Winkenweder
4. After
The death of the author
. On re-installing Anna Oppermann's processual and open ensembles
5. Methodology for qualitative research within the conservation of contemporary art
6. The conservation of a work that
never stop starting
7. An artist as initiator and collaborator
8. The issue of authenticity in 'Grass Just Grass' by K. Bednarski
- Abstracts and biographies
Tate seminar
The Conservation Of Work That Never Stop Starting.mp4 (mp4/24580kb)
6. The conservation of a work that
never stop starting
(19 October 2006)
creator(s)
Maryline Terrier (paper conservator / assistant Joëlle Tuerlinckx)
Click
download
for video (mp4).
Copyright Protected
Copyright Protected