Preservation and Presentation of Installation Art

Lectures at Inside Installations seminars and workshop

- Case studies by Spanish participants
- Copyright and Installation art
- E-learning packages developed by Tate Digital Programmes
- Media Matters

Madrid

- Audio Documentation of Sounding Objects
- Documentary Film: Fact or Fiction?
- Documentation Analysis
- Measurement of Installation Art
- Presentation of the Case Study Fabrizio Plessi Liquid Time II
- Recording Movement – Between Material and Ephemeral
- Survival of the Fittest - Notes on the Documentation of Contemporary Art

- Artist's lecture, Suchan Kinoshita
- Authenticity, change and loss in the conservation of time-based media works of art
- Experience & Conceptualisation of Installation Art
- Forms of installation registration: video registration
- Locating the Intermittent Work of Art
- Panel Discussion 'Installation Art in the Museum Context'
- The DOCAM project: Issues and challenges

1. Introduction on artist participation
2. Suchan Kinoshita's 'Voorstelling'
3. After Words, by Brian Winkenweder
4. After The death of the author. On re-installing Anna Oppermann's processual and open ensembles
5. Methodology for qualitative research within the conservation of contemporary art
6. The conservation of a work that never stop starting
7. An artist as initiator and collaborator
8. The issue of authenticity in 'Grass Just Grass' by K. Bednarski
- Abstracts and biographies

Tate seminar

Installation Art Project and copyright.pdf (pdf/157kb)

Copyright and Installation art (26 November 2004)
creator(s) Annemarie Beunen
publisher Annemarie Beunen

Annemarie Beunen gave a lecture on copyright issues at the first project workshop (Amsterdam, November 2004). Annemarie Beunen is a lawyer at Centre for E-law, Leiden University.

Click download for presentation slides (PDF).

English •