Preservation and Presentation of Installation Art

Lectures at Inside Installations seminars and workshop

- Case studies by Spanish participants
- Copyright and Installation art
- E-learning packages developed by Tate Digital Programmes
- Media Matters

Madrid

- Audio Documentation of Sounding Objects
- Documentary Film: Fact or Fiction?
- Documentation Analysis
- Measurement of Installation Art
- Presentation of the Case Study Fabrizio Plessi Liquid Time II
- Recording Movement – Between Material and Ephemeral
- Survival of the Fittest - Notes on the Documentation of Contemporary Art

- Artist's lecture, Suchan Kinoshita
- Authenticity, change and loss in the conservation of time-based media works of art
- Experience & Conceptualisation of Installation Art
- Forms of installation registration: video registration
- Locating the Intermittent Work of Art
- Panel Discussion 'Installation Art in the Museum Context'
- The DOCAM project: Issues and challenges

1. Introduction on artist participation
2. Suchan Kinoshita's 'Voorstelling'
3. After Words, by Brian Winkenweder
4. After The death of the author. On re-installing Anna Oppermann's processual and open ensembles
5. Methodology for qualitative research within the conservation of contemporary art
6. The conservation of a work that never stop starting
7. An artist as initiator and collaborator
8. The issue of authenticity in 'Grass Just Grass' by K. Bednarski
- Abstracts and biographies

Tate seminar

Spanish Case Studies.pps (pps/2525kb)

Case studies by Spanish participants (26 November 2004)
creator(s) MNCARS, Madrid
contributor(s) MACBA, Barcelona; IVAM, Valencia; Guggenheim Bilbao; CAAC, Sevilla; ARTIUM, Vitoria; Fundació La Caixa, Barcelona
publisher MNCARS

Arianne Vanrell and Mikel Rotaeche introduced the Spanish case studies to the project group (Amsterdam, November 2004). Arianne Vanrell and Mikel Rotaeche are conservators at Museo Nacional Centro de Arte Reina Sofia, Madrid.

Click download for powerpoint presentation.

English •