2. Galerie Krinzinger (1975)
creator(s) Cornelia Weyer (conservator/art historian)
contributor(s) Ulrike Rosenbach (artist); Stefan von Wiese (curator)

Performance repeated at der Galerie Krinzinger, Innsbruck, as part of the "Frauen und Kunst" ["Women and Art"] group exhibition. For this performance a smaller target is used. The performance is documented on b/w video tape by closed circuit means: superimposition of shots taken with two video cameras, one focused on the target with the Madonna's face, the other on the bowwoman's face. This tape is archived with Ulrike Rosenbach but is not planned for public showing.

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